Geisha Rules Experience the games and performances of a traditional Ozashiki asobi in Asakusa
The next player must place his geisha token according to the rules. He can only remove a tile which shows the same vegetation (Iris. A1-A2-A3 in this example E3). Many translated example sentences containing "geisha" – German-English dictionary and search engine for German translations. The English guide will explain it carefully, so you can enjoy Ozashiki Asobi while understanding the rules. Dance by Asakusa's geisha. An iconic Japanese symbol, geisha are also dwindling, with women scared off by the rigors of training and traditional rules. But while Koiku and her “sisters” in. Oiran Dochu More Ideen, Japanische Geisha, Japanische Schönheit, no rules, no limitations, no boundaries it's like an art All Rights Reserved by ajpscs Oiran.
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Geisha Rules VideoThe Incredible Truth About Japan's Geishas
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As this form of entertainment progressed, the first geisha on the scene were actually men, appearing around the early eighteenth century. Women soon caught on, and the geisha as we know her today emerged with strict rules to not upstage the courtesans, or steal their clients.
As courtesan entertainment waned after the mid-eighteenth century, geisha took their place, peaking around the s in Tokyo. Nowadays if you long to experience geisha culture, you must head to the cultural capital of Kyoto.
Under a hundred geisha remain in the city, living and working in the traditional teahouses as they always have done. The inevitable declining numbers due to the strict and secular world make this profession as elite and enigmatic as it always has been.
The modern geiko Kyoto term for geisha starts her life in the Kyoto okiya geisha house these days around the age of 15, although traditionally it was much younger.
After learning skills in hospitality and traditional arts, she will go on to become a maiko - an apprentice geiko.
The young maiko will follow her mentor and "older sister" geiko to appointments, shadowing her movements and observing the skill of repartee and reserve with the clients.
As a professional entertainer, the geiko's role is not only to play music and dance, but also to make the customers feel at ease with witty conversation and even join in drinking games as the night progresses.
As an amateur, the maiko is not expected to be as charming and amusing, and instead relies on ornate jewellery, rich kimono and young looks to speak for her.
Geiko and maiko may have many appointments per night, starting around 4pm and working long into the early hours, scurrying from from bar to bar on their wooden geta sandals.
Typically, they will take Sundays off, changing into jeans, wearing their hair down and going shopping like any other young woman.
If you wish to meet, and even drink with a maiko or geiko , it's all about who you know - and they don't come cheap.
Most only work at licensed ochaya teahouses in the geisha districts, often veiled behind anonymous wooden doors, with small discreet signs that most passersby wouldn't detect.
For many Japanese people, even those living in Kyoto, the closest they have come is perhaps glimpsing a geisha alighting from her taxi and disappearing behind a nameless sliding door.
The ochaya manage to keep their reputation of exclusivity with expensive bar bills and membership-only rules. As a maiko arrives at her appointment wearing sometimes hundreds of thousands of pounds worth of exquisite kimono, jewellery and hairpieces, it is imperative the ochaya knows she will be safe.
The ochaya also bill their customers per month, keeping a running tab of drinks, taxis and geisha services, requiring a great degree of trust.
Potential new customers therefore are only allowed to join if a current member recommends them, and is prepared to act as a guarantor. Inevitably, due to the demanding lifestyle of the geisha and the pressures of the modern world, numbers are declining.
Competing hostess bars, karaoke joints and the recent economic downturn have meant teahouses have had to be less restrictive and welcome new customers and even foreign tourists.
If you have the cash to splash, you may have the opportunity to meet with a geisha, enjoy her company and play the requisite drinking games into the night.
The image of Japan is one constantly pushing forward into the future, and whilst some may say the geisha world is outmoded and losing its dignity, the links to the past and tradition in Japan are astoundingly enduring.
As long as Japan continues to hold its rich and respected culture paramount, the world of the geisha as we know it will continue to survive.
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Your personal information is kept confidential at all times. A man is sometime necessary to do the strenuous parts of putting on the obi.
Geisha clothes weigh 10 kilograms. I'm like a businessman putting on a suit in the morning, preparing for his daily battle, forgetting his personal life.
When I put on make-up and a kimono, I turn into a geisha in my mind also. In a kimono, I am a professional. One Kyoto client told Cobb, "I have seen how geisha prepare their makeup, but I don't like to.
I want the romantic ideal, not the reality. I don't want to know the trick. I don't want t known their sad stories.
I want to keep it as a dream, and they want to keep it as a dream for me. That's the business. A hairdo can weigh up to three kilograms.
The hot irons and wax used to create the hairdos take their told and leave geisha with bald spots when they get old.
These are sometimes hidden with wax and yak hair. He dragged it roughly through the remaining pots of wax in her tumbling locks He then put his hands on her porcelain-white neck, stuffing in required patches of yak hair to give her a variation of the split-peach geisha hairdo that some Japanese consider highly suggestive.
Hairpins worn by geisha can be quite elaborate and change according to the season with as many as 20 variations worn at different times of the year.
A hairpin worn by an experienced maiko during the Gion Festival has five tiers of flowers and butterflies with blue fabric. One worn by a maiko with only a few years experience has three tiers with 48 silver flowers and four butterflies.
Flowor decoration are made from heavy paper doubled over and put on a wire and fixed with silk thread. Butterflies are made with heron or stork feathers.
A skilled craftsman can make only one or two hairpins a day. A discreet, white lit-up sign identifies the geisha house. A signboard list the geisha and maiko that work there.
The only time geishas perform in public is when maikos do dances during the annual Cherry Blossom Dances in Kyoto. Many geisha work in tearooms, that generally serve much larger quantities of alcohol than tea, and ryotei , traditional inns made up of a mazelike configuration of private, screened rooms, where businessmen and politicians met to make deals while being entertained by geisha.
Some have secret stairways and passageways so VIPs who don't see each other can avoid chance encounters. Ryotei have traditionally not published their prices, which are said to be very high.
Small parties are usually entertained by three geishas: a tachikata dancer , jikata samisen player and a maiko. The maiko unusually engages the guests in conversation, while the other geishas perform.
When the other two aren't performing they are usually making sure their guest's sake glasses are filled they have enough to eat.
Women are allowed to attend geisha outing but they rarely come. Men can also arrange to meet a geisha at a bar or some other place.
Ordinary people usually can not gain access to a geisha house. New customers normally have to be introduced a loyal and valued customers who has been doing business with the geisha house for years.
Describing a private party at a Kyoto geisha house, Cobb wrote, "As the men sit down for dinner, geisha kneel at their sides, flirting and smiling, offering delicacies and pouring sake.
When the alcohol kicks in, ties and tongues loosen. The geisha play party tricks, strum samisen, and sing bawdy songs. They provide an illusion of romance in a work-obsessed culture that has little opportunity for the real thing.
She is fluent in news of the day and the gossip of the theater or sumo world. She has studied the male ego and tends it like a garden.
She knows a man's moods and his seasons. She fusses, and he blooms. One American who indulges himself with a night with a geisha from time to time told the Daily Yomiuri, he begins his night with a geisha by a visit to a bar and follows that up with a trip to a regular tea house.
In that way it's kind of a friendship relationship, but that's only when the tab's running. At geisha parties there is usually a lot of good food and alcohol.
Geishas and maikos often have litle party games they play with their customers. A one-hour geisha performances staged for tourists starts with two nagauta long epic songs about cheery blossom view or some such thing sung by geisha standing upright in front of a music stand accompanied two shamisen, a flute, a taiko drum and large and small hand drums.
This is followed by a elegant Kyo no Shiki dance performed by two women and a Yozakuraya dance, representing a drunken man performed by a geisha with a kanzashi hair stick which indicates he is playing a male role.
The performances close with comical skit and dance by a male performer. Gion Sijo train station is Kyoto's most famous entertainment district.
Located on the east side of the Kamogawa River, it is a good place to experience traditional Japanese culture or see some of the last geisha houses in Japan.
Traditional wooden townhouses found in Gion and elsewhere in Kyoto are called machiya. Many have lattice windows, stripped beams, Older unrestored ones have dirt floors and mushikomado windows framed by thick clay.
They are designed to let cool breezes in during the summer. Today there are only 30, of them left compared to , modern homes.
Many were built by merchants in the Edo period. Today, preservationists are trying to keep the remaining machiya houses from being turn down.
The best place to see then is around Kiyomizu-dera Temple in eastern Kyoto. Patronized b powerful and well-connected business leaders and politicians, it welcomes guests on an invitation only basis with the invitation sometimes taking generations to get.
For information call Website: Japan Guide japan-guide. Gion Corner is especially popular with foreign visitors. There are no performance on July 16, August 16 and December January 3.
Admission: 3, yen; Website: kyoto-gion-corner. Kenninji Temple near Gion is the oldest Zen temple in Kyoto. Built in by the Priest Yosai Eisai, , who is credited with introducing tea to Japan, the temple houses Fuji-Raijin-zu , a folded screen painting of the gods of wind and thunder made by famous painter Tawaraya Sotatsu in the s.
A small tea garden with bushes from China are located near a cenotaph commemorating Eisai. Okazaki District north of Gion features narrow streets lined with traditional houses with weathered pine beams and grey tile roofs.
Along side many of the houses are small gardens of ferns and bonsai trees surrounded by bamboo fences and brown stucco walls.
Quiet and serene, it is only a block away from Marutamachi Dori, one of Kyoto's busiest shopping streets. Maiko Theater Higashiyama Ward features maiko, young geisha-like female entertainers and has become popular with tourists from abroad.
The geisha houses are located in nondescript two-story machiya houses with wooden facades and bamboo shades that prevent people from looking inside.
Since going inside a geisha houses is beyond the means of most people, your best chance of seeing a geisha live and in the flesh is to walk through Gion in the late afternoon when the geishas show up for work.
Several traditional teahouses and restaurants where geisha perform are located along Hananami-koji.
Gion had traditional teahouses, where geisha performed, in ; in ; but only 80 on in There are four other geisha districts in Kyoto.
In the past geisha teahouses were the exclusive province of elite members and not open to just anybody but in recent years this exclusive clientele has dried up somewhat and geisha and the teahouses are looking for new sources of income.
Gion and Pontocho and other places in Kyoto are now offering tourists a chance to experience geisha culture. Sometimes large groups of tourist flock to Gion in the evening to catch sight of geiko and maiko walking to work.
There have been reports of tourists harassing the maiko. See Arts, Culture; Noh, Kabuki Those who understand the intricacies of Japanese culture explain that a geisha is not a prostitute.
A true geisha is successful because she projects a sense of unattainable perfection. When men hire geisha to entertain at a party, sex has nothing to do with it.
A geisha entertains with singing, music, dance, story-telling, attentiveness and flirtation. She can speak about politics as easily as she can explain the rules of a drinking game.
In a time when Japanese wives were excluded from public life in general, geisha were the women who could play the role of attentive female at business gatherings.
The original geisha were men , and they entertained all over Japan -- social restrictions dictated that women could not entertain at a party.
These men kept the conversation going, gave artistic performances and flattered guests at parties thrown by noblemen and other members of the upperclass.
In the s, women calling themselves geisha first appeared in the "pleasure districts" of Japan. There are many takes on the origins of the female geisha.
One has a group of female artists stealing business from prostitutes in the pleasure districts by hiring themselves out to sing and dance at parties.
Another one has a failing prostitute taking a job as a geisha to make some extra money, and as a geisha she was a hit. However the female geisha came about, they were a threat to the brothels.
Because geisha were not affiliated with the brothels, the people running them received no money from the geisha's wages. In order to curtail the geisha's popularity and get the focus back on registered prostitutes, the government set very strict rules for geisha concerning their style of dress, how and where they could entertain and the hours they could work.
To make sure sex was not part of the party, geisha were not allowed to be hired singly. But instead of reducing the geisha's success, these restrictions only made them more desirable.
As time went on, particularly during the poorest times in Japan, the success of the geisha led many impoverished parents to sell their young daughters to a geisha house okiya.
These children trained from the age of five or six to become successful geisha and repay the okiya for the cost of their training.
Today, young women choose to become geisha just like they might choose to become doctors. They typically begin their training after junior high school, and the training is rigorous.
Only the most dedicated women make it to full geisha status. A geisha may decide to engage in sexual relations with a customer with whom she has developed a special relationship, but this is not part of her job as a geisha, and it is not a one-night stand.
A geisha's relationship with a danna patron is a long-term one: The ceremony binding a geisha to her danna is similar to the Japanese marriage ceremony, and when a geisha and her danna decide to end their relationship, they undergo another ceremony to make the "divorce" final.
A young woman's first step toward becoming a geisha is to apply and be accepted into an okiya , a geisha house owned by the woman who will pay for her training.
This woman is the okami or okasan. Okasan is Japanese for "mother. Training to be a geisha takes about as long as it takes to train to be a doctor.
Typically, a young woman spends about six years studying the arts of music, dance, tea ceremony, language and hostessing.
During this time, and sometimes throughout her career as a geisha, she lives in the okiya , which is something like a boarding house for geisha and geisha-trainees.
The okiya is a big part of a geisha's life -- the women in the okiya are her geisha family , and the okasan manages her career.
A geisha pays a percentage of her earnings to maintain the house and support the people living there who are not working geisha, including apprentice geisha, retired geisha and house maids.
Geisha study the arts at a kaburenjo -- a school dedicated to the training of geisha. This school may also house a theater where geisha give their rare public performances.
During the course of her studies, a geisha learns how to play the shamisen , a three-stringed instrument that is strummed with a large pick.
She will play the shamisen at parties and in performances, usually accompanying another geisha who is singing. She may also learn to play other traditional Japanese instruments including the shimedaiko , a small drum, the koto , a large, stringed instrument, and the fue , a type of flute.
Musical instruments are only one aspect of a geisha's artistic repertoire. She studies singing, traditional Japanese dance nihon-buyoh and tea ceremony sadoh , all of which she will use in her job as entertainer.
She studies flower arrangement ikebana and calligraphy shodoh , because she is the quintessential cultured woman. A geisha may specialize in one art form, such as singing or dancing, but she is proficient in all of them.
A young woman spends years studying not only to be an artist, but also to carry herself with grace.
She learns the proper way to speak in the accent of the district where she works, to walk in a floor-length kimono without tripping over her hem, and to pour sake so that her kimono sleeve doesn't dip into the cup.
In a group of men and geisha, she learns whom to greet first and how low to bow when greeting each person.
She learns how to flatter a shy man, an arrogant man and a disinterested man with equal success. These less formal aspects of her training take place while she is a maiko , an apprentice geisha.
The apprentice period begins when a young woman finds an onesan "older sister" , a full geisha who will serve as her mentor.
The ceremony that binds them together is the same ceremony that marks the "marriage" of a geisha and her danna see Sex in the Flower and Willow World : Each takes three sips from three cups of sake.
In this transition to maiko status, the young woman takes a new name that will be her "geisha name. An apprentice geisha spends several years studying the behavior of full geisha to learn the arts she can't learn in the classroom.
Her onesan brings her to parties where she will not entertain -- she will remain quiet and observe, learning how geisha interact with men and how they use their wit, attention and feminine wiles to keep everyone happy.
Her attendance at a party is not only a learning experience, though. The job of an older sister is to introduce a maiko into geisha society, making sure everyone knows who she is.
This way, when a maiko makes her debut as a geisha , she already has relationships with the customers and teahouses that will be her livelihood.
The ceremony that marks the transition from maiko to geisha is called eriage , which means "changing of the collar. Now she officially starts entertaining.
A geisha's primary job is that of hostess. All of her skills go into making sure a party is a tremendous success and that everyone has a good time.